Music Manager Resource

Tools, guides, podcasts and templates to help musicians and music managers in the UK and Ireland run the business side of a music career.

Apps and tools

• Chord Chart Generator
• Setlist Creator
• Tempo Finder
• Open Tuning Assistant
• Capo Transposer
• Chord Sequence Generator
• Guitar Tuner
• ADR Session Log
• Music Cue Sheet Generator
• Invoice Generator for Musicians
• Tour and Event Itinerary Generator
• Tour and Studio Expense Tracker
• ATA Carnet Tour Tracker
• Music Advance Calculator
• Stage Plan Creator
• Channel List Generator
• Band Agreement Generator
• Music Management Agreement Generator
• Songwriting Split Agreement Generator
• Session Musician Contract Generator
• Word Development for Songwriters
• Song Structure Builder
• Song Starters
• Artwork Templates
• Social Media Templates
• Press Kit (EPK) Builder
• QR Code Generator
• Mental Health and Wellbeing Support
• ISRC Code Tracker

Industry guides

• This Week in UK & Ireland Music: Music Manager Resource Launches in Belfast, Scotland Publishes Its First Music Roadmap, and a New PPL Momentum Cohort
• Why This Site Exists
• This Week in UK & Ireland Music: Safer Gigs in Scotland, a Welsh-Language Prize Winner, and Belfast Opens Its Doors to the Industry
• Why Treating Northern Ireland's Music Scene as a Community Rather Than an Industry Will Help It Thrive
• Why Music Is Worth Chasing - A Life Well Lived Through Sound
• When Should You Join PRS? A Q&A with Stuart Fleming Ahead of PRS Members' Day in Belfast
• Record Deal Advances Explained: What You Get, What You Owe and What to Watch Out For
• This Week in UK & Ireland Music: A £100,000 Growth Fund Deadline Looms, Scotland Publishes Its First Music Roadmap, and Budget Day Disappoints Irish Artists
• Why doing this all yourself is a pathway to burnout
• This Week in UK & Ireland Music: Wales Cuts Venue Rates, Grassroots Funding Lands Across the Nations, and Ireland Marks Music Month
• The Importance of Boredom: Why Doing Nothing Might Be the Most Creative Thing You Do
• Why Sigur Rós Refuse to Play by the Music Industry's Rules (And Keep Winning)
• The EP Is Your Best Marketing Tool as an Emerging Artist, But Only If You Plan It Properly
• Why Staying Silent Is Also a Political Choice: A Guide for Independent Musicians
• So the Superstar Thing Didn't Happen. Here's What's Actually Available.
• Stop Wasting Money on Merch That Doesn't Sell: A Practical Guide for Independent Artists
• How to Build a Rewarding Music Career Without Ever Chasing Fame
• PRS vs PPL: What Is the Difference and Do You Need Both?
• What Does a Sustainable Music Career Look Like in the UK Today?
• How a Stream Becomes Money: Where UK Music Royalties Come From
• How to Stop Dreading Feedback and Start Using It to Grow Your Music Career
• Posting Every Day and Still Getting Nowhere: What Your Social Media Is Really Telling You
• You Made the Music, Now Tell People About It: Overcoming Self-Promotion Shame
• You Are Not the First Artist to Feel Like Throwing It All In. Here Is What to Do Next.
• How to Get Paid When You Play Live: Reporting Your Setlists to PRS
• Stop Wasting Money on Budget Microphones: The AKG 414 Is What Your Home Studio Actually Needs
• How to Pitch Your Songs to Publishers, Sync Libraries and Artists (UK)
• This Week in UK & Ireland Music: Monthly PRS Payouts, Fleadh's £53m Afterglow and Funding Wins from Scotland to Wales
• I Fed My Own Unreleased Song Into AI. Here Is What Came Back.
• What Does MCPS Actually Pay You? How Mechanical Royalties Work in the UK
• This Week in UK & Ireland Music: IMRO's Live Music Awards, Feile's Funding Boost, and Grassroots Investment Across Wales and England
• Nerves Are Not the Problem: What to Do About Stage Fright
• This Week in UK Music: The Fleadh's £53m Belfast Boost, and Cultural Music Events Across the Nations
• What Are ISRC and UPC Codes? How to Get Them for Your UK Release
• How to Get Played on BBC Introducing and UK Radio as an Independent Artist
• How to Finish a Song and Make a Demo
• Starting Out in a Band: The Do's and Don'ts Nobody Tells You
• What Should You Charge for a Gig? Fees, Deposits and Getting It in Writing (UK)
• "Build It and They Will Come" - Will They?
• The Follow-Up: How to Contact Someone After They've Shown Interest in Your Music
• From Pub Gigs to Premium Bookings: How to Position Yourself as a Cover Artist
• How to Get Your First Gigs as a Band or Solo Artist in the UK
• The Working Musician's Guide to Vocal Health on the Road
• How to Release a Song in 2026: The Complete Step-by-Step Checklist for Independent Artists
• What Is a PRS Tunecode? How to Find It and Why It Matters
• Why Most Indie Artists Blow Their Radio Moment and How to Make Sure You Do Not
• What Makes a Bar a Legitimate Music Venue? A Practical Checklist for Independent Artists
• The Streaming Paradox
• Things Young Musicians Get Wrong in the Practice Room
• What Does a Music Manager Actually Do? A Clear Breakdown for Independent Artists
• When to Use Plugin Presets and When to Build Your Own Sounds From Scratch
• Can You Still Gig, Record and Tour After Having a Baby? Here Is the Truth
• Nobody Is Coming to Find You
• What Goes on a Music Invoice and Why Getting It Wrong Can Cost You
• Is Your Music Career at the Right Stage for Crowdfunding? A Practical Checklist
• Good Student vs Good Musician: What Music College Doesn't Teach You
• Is a Client Ghosting You? Here Is What You Can Actually Do About It
• Not All Advice Is Equal: How Independent Artists Can Filter What Actually Applies to Them
• Are DIY Acoustic Panels Actually Worth It for Your Home Studio?
• Why Not Everyone Will Love Your Music (And Why That's Actually a Good Sign)
• Is Self-Taught Always Enough? What Independent Artists Lose When Theory Knowledge Runs Out
• Capo or Transpose? A Practical Guide for Gigging Musicians
• The Break-Even Point: How to Know When Cancelling a Show Is the Right Financial Decision
• The People Who Change Your Music Career Are Not Who You Think
• Getting Into Music Teaching: Experience Beats Qualifications
• My Biggest Music Career Regret: Waiting Too Long to Release
• How to Stop Leaving Publishing Money on the Table as an Independent Artist
• How to Get Rid of Songwriter's Block for Good
• How to Tell If Your New Song Is Inspired by an Artist or Just a Copy of Their Work
• Every Musician Needs Someone Who Will Tell Them the Truth
• The Producer: From Maestro to Multi-Hyphenate
• THE MUSIC INDUSTRY IS BIGGER THAN YOU THINK: ROLES, RELATIONSHIPS & FINDING YOUR PLACE IN IT
• Finding Your Team: Managers, Publishers & the Art of Being Worth Investing In
• How to Legally Release a Cover Song in the UK: Licences, Royalties and the Exact Steps to Follow
• The Cover Gig: School, Trap, or Both?
• Songwriting Splits in Co-Writing: A Practical Guide
• Networking: It's Not What You Know, It's Who You Actually Are
• Is It a Hobby? Good. That Might Be the Best Thing For You.
• Band vs Solo Artist: Difficulties & Benefits
• Music Education: What's Actually Worth Your Time & Money
• The Indie Scene: DIY, Aggregators, Merch & Local Community
• The Essential Guide to Rights Registration: PPL, PRS & MCPS
• MCPS: Mechanical Royalties, Registration & Your Responsibilities as an Independent Artist
• The Disappearing Middle Class of Music
• You Are Competing With Famous People's Kids (And That's Fine)
• Digital Distribution Compared: DistroKid, TuneCore, CD Baby, Amuse, and EmuBands
• What Happens to Your Royalties When You Die
• International Touring Paperwork: What You Need to Know Before You Leave the UK
• Pots, Pans and DAWs: Choosing the Right Digital Audio Workstation
• Being Irish Is a Superpower for Musicians. Start Using It.
• Music Needs You
• What My Kids Taught Me on a Belfast Waterfront Stage This Week
• What I Need From a Session Musician
• How to Improve Stage Presence: Stop Performing, Start Connecting
• The Music Industry: What Nobody Tells You Before You Start
• Why Your Mailing List Is the Most Important Thing You Are Not Building
• How to Register with PPL as an Artist & Rights Holder
• The Music Business: Understanding the Trade-Off Between Art and Commerce
• How to Register with PRS for Music
• How to Register with MCPS
• Protecting Your Hearing: The Thing Nobody Tells You Until It Is Too Late
• What Is a Contract? A Conversational Guide to Music Industry Agreements
• Work-For-Hire Contracts: When You Own Your Music and When You Don't
• NFTs and Web3 for Musicians: Where It Actually Stands Now
• Building a Real Fanbase Without Buying Followers
• Social Media Content Strategies That Don't Feel Like Selling Out
• Press Kits That Actually Get Read: What Journalists and Bookers Want
• DIY Touring on a Budget: Booking Agents, Guarantees, and Rider Basics
• Publishing Deals vs Recording Deals: What Is the Difference and Which Matters More for You
• How the Music Industry Already Lived Through What Gaming Is About to Experience
• How the Spotify Algorithm Works and What Artists Can Actually Influence
• Producing Beats Online: Licensing, Exclusives, and Leases Explained
• How to Get a Music Lawyer Without Paying for One Upfront
• Ignore, Block or Report? A Practical Guide to Dealing With Trolls as a Music Professional